| 000 | 01300nam a22003257a 4500 | ||
|---|---|---|---|
| 003 | OSt | ||
| 005 | 20220118032910.0 | ||
| 008 | 220118b |||||||| |||| 00| 0 eng d | ||
| 010 | _a 2017045970 | ||
| 020 | _a9781138202061 (hbk) | ||
| 020 | _a9781138202078 (pbk) | ||
| 040 |
_aMMU _beng _erda _cMMU _dMMU |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aTR899 _b.F75 2018 |
| 082 | 0 | 0 |
_a777/.55 _223 |
| 100 | 1 |
_aFrierson, Michael, _eauthor. |
|
| 245 | 1 | 0 |
_aFilm and video editing theory : _bhow editing creates meaning / _cMichael Frierson. |
| 264 | 1 |
_aNew York : _bRoutledge, Taylor & Francis Group, _c2018. |
|
| 300 |
_axvii, 327 pages ; _c26 cm. |
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| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
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| 500 | _a"A Focal Press book" -- cover. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 650 | 0 |
_aMotion pictures _xEditing. |
|
| 776 | 0 | 8 |
_iOnline version: _aFrierson, Michael author. _tTheories of film editing _dNew York : Routledge, 2018 _z9781315475011 _w(DLC) 2017053219 |
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2lcc _cLOAN LOAN |
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| 999 |
_c32232 _d32229 |
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